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Under False Colors...

    The late afternoon of October 24, 1999, had, as it did during that time of the year, turned nasty. A cold mountain hailstorm fell and clattered over the Spanish tile around the entrance to the American Embassy in Bogotá, Colombia. The white marble-size pellets hammered the US Marine gate-house's corrugated tin roof, drowning it in noise and blinding it from the outside world for six minutes, then ceased abruptly, leaving behind only the cold and the melting hail.

    The embassy, known to bogotanos as The Compound, is an appropriate description. It is an imposing structure on Avenida Séptima. The huge concrete multi-storied building rested on anentire metropolitan square block, in what is regarded as the most expensive real estate property in the city. It is also quite windowless and everyone's first impression of it was that it looked like an updated American prison.

    To enter one had to walk past the US Marine gate-house and into Fortress America. The fluorescent bulbs inside the building managed to splash a harsh light into the most remote corners and even seemed to brighten the faded colors of the American flag that hung over the lobby's entrance, which hadn't been replaced since the early seventies. In the lobby of the architectural monstrosity that was the embassy, framed pictures of the American President and Vice-President hung on the lily-white walls as well as some other forgettable bureaucratic leaders of the present age. The attendant secretaries, sitting behind the protective bullet-proof glass window, lent an air of respectful industry and conveyed a message made clear by its artifice: Here serious business is conducted.

    At any rate, people walked in and out of the place with metronomic regularity. Americans, Colombians, rich people and poor people alike -- gaining access only after demonstrating proper identification to the Marine guards standing at the front gate -- entered the building to obtain the much valued entry visa into the United States of America, or, in the odd case, to ask for political asylum. Yet, once people were inside they were not really inside. They were in a front lobby that was really a huge white room whose far wall was really bullet-proof glass where two administrative assistants sat in cinema-looking booths and tookenquiries and visa applications through small portholes.

    It was at this moment that a woman entered the lobby. There was something about the woman that suggested danger, many would think later on when they viewed the embassy's video security film. Nevertheless, at that moment no one had taken a full measure of the woman.

    There was no doubt the woman was a Colombian, an educated Colombian, at that. Only a Colombian woman would have been able to walk in out of a hailstorm looking like a million bucks and not miss a beat. The woman wore a black oversized raincoat with high-heeled shoes. She seemed to study the area as if to make up her mind how to walk across it. "She was class," they would say about her later on. "Come the angels with doom on their lips, that woman was never going to lose sight of that fact."

    In any event, the woman walked up to the furthest right handed booth, one of six and watched as the adminstrative assistant leaned closer to the video screen as a last measure of avoidance. But the Colombian woman was not deterred.

    "Good afternoon, ma'am", the Colombian woman greeted.

    "Yes?" the administrative assistant replied rudely and without even looking up or breaking the rhythm on her keyboard. She had planned on avoiding the woman altogether, but the woman had spoken English and that had peaked a measure of interest. "How can I help you, ma'am?"

    "I am looking for Mister John Whitney," the woman said. "I have a letter for him."

    "I'm sorry, but Mister Whitney has been called away from hisdesk. I could make sure he gets the letter, if that's what you're worried about."

    "You are very kind, thank you." The woman opened her pocketbook and retrieved the envelope, which had the words, For Mr. Whitney's eyes only written on it. Then she passed the letter through the porthole in the glass booth and smiled.

    "Who may I say it's from?"

    The woman hesitated. "Liliana. Liliana Santander."

    "You're going to have to sign for it, Ms. Santander."

    The woman was stunned and the assisstant began to get a strange feeling in the pit of her stomach, even though as the moment unfolded she could not say why.

    The woman was stunned and Miles knew by her reaction that she had done the right thing, even though as the moment unfolded she didn't know why.

    "Why?" the woman asked.

    "Embassy rules, Ms. Santander."

    The woman nodded and the assistant handed her a paper and a pen, which the woman used to sign her name, address and telephone number. It was during this time that the assistant took a good measure of the woman.

   She was not only beautiful, but intelligent. It was obvious, the assistant told herself. There was something about how her eyes sparkled, like an old Bette Davis movie she'd seen long ago. It was at that moment that she wondered if John Whitney was having an affair with her, but the idea faded when she noticed the wedding ring on the woman's finger.

    Then the woman handed back the paper where she had signed for the letter she was dropping off and said, "Thank you. It is very urgent that he read it soon, please." The assistant nodded but didn't believe it, because in Colombia everything had to be done the day before yesterday and was rarely done the day after tomorrow. The woman then took one last look at the letter in the assistant's hands and left...

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